Personal Life and Background
- Birth Date: John Keats was born on October 31, 1795.
- Place of Birth: He was born at Moorgate, London, England.
- Parents: His father was Thomas Keats and his mother was Frances Jennings Keats.
- Father's Occupation: Thomas Keats was a stable keeper (livery stable manager).
- Tragic Loss of Father: His father died in 1804 after falling from a horse, causing a skull fracture.
- Loss of Mother: His mother died of tuberculosis (then called consumption) in 1810.
- Siblings: He was the eldest of four surviving children; his siblings were George, Tom, and Frances Mary (Fanny).
- Guardian: After his parents' death, he and his siblings were cared for by their grandmother, Alice Jennings.
- Early Education: He attended John Clarke’s School in Enfield.
- Mentor at School: Charles Cowden Clarke, the headmaster's son, became his close friend and literary mentor.
- Medical Apprenticeship: In 1811, he was apprenticed to a surgeon, Thomas Hammond, in Edmonton.
- Medical Studies: He registered as a medical student at Guy’s Hospital, London, in 1815.
- Medical License: He received his license to practice as an apothecary (pharmacist/doctor) in 1816.
- Career Choice: Despite having a medical degree, he abandoned medicine for poetry, a decision he felt driven toward by his inner nature.
- Financial Status: Keats belonged to a poor/lower-middle-class family, unlike contemporaries like Shelley or Byron.
- Death Date: He died on February 23, 1821.
- Age at Death: He was only 25 years old (specifically 25 years, 3 months, and 23 days) when he passed away.
- Cause of Death: Like his mother and brother Tom, he died of tuberculosis.
- Final Days: He spent his last months in Rome, Italy, seeking a warmer climate on medical advice.
- Companion in Rome: He was accompanied to Rome by his artist friend, Joseph Severn.
Literary Career and Style
- Romantic Generation: Keats is a prominent member of the Second Generation of Romantic Poets.
- Younger Romantics: Along with Shelley and Byron, he is considered one of the "Younger Romantics".
- First Poem: His first poem, written in 1814, was "An Imitation of Spenser".
- Literary Debut: His first published poem was the sonnet "O Solitude," appearing in The Examiner in 1816.
- The Examiner: This influential magazine was edited by Leigh Hunt, who was Keats's early champion.
- First Volume: His first collection, titled Poems, was published in 1817.
- "Three Young Poets": Leigh Hunt’s essay titled "Three Young Poets" featured Keats, Shelley, and Reynolds.
- Negative Capability: This famous literary concept was introduced by Keats in an 1817 letter to his brothers.
- Definition of Negative Capability: The capacity to remain in uncertainties, mysteries, and doubts without any "irritable reaching after fact and reason".
- Exemplar of Negative Capability: Keats identified William Shakespeare as the supreme example of this quality.
- Egotistical Sublime: Keats used this term to describe William Wordsworth’s self-centered poetic style.
- Poet of Sensuousness: Keats is renowned for his sensuous imagery that appeals to all five senses: sight, sound, taste, touch, and smell.
- Matthew Arnold's Praise: Arnold remarked that Keats is "enchantingly and abundantly sensuous".
- Connection to Shakespeare: Matthew Arnold famously stated, "He is with Shakespeare".
- Hellenism: Keats is often called a "Hellenistic Poet" due to his deep love for and influence by Greek art, mythology, and culture.
- Shelley's Remark: P.B. Shelley once said, "Keats was a Greek".
- Pictorial Quality: His poetry is noted for being pictorial, using words to create vivid mental "paintings" for the reader.
- The Principle of Beauty: In a letter, Keats wrote, "I have loved the principle of beauty in all things".
- Nature vs. Art: His work often explores the tension between the transience of human life and the permanence of art.
- Camelion Poet: Keats believed the poet has no fixed identity but takes on the identity of whatever they are describing.
Major Works - Endymion and Hyperion
- Endymion Publication: This long narrative poem was published in 1818.
- Endymion Opening Line: "A thing of beauty is a joy for ever".
- Endymion Dedication: It was dedicated to the memory of the young poet Thomas Chatterton.
- Endymion Form: It is written in Heroic Couplets (Iambic Pentameter).
- Endymion Structure: The poem is divided into four books, totaling approximately 4,000 lines.
- Endymion Source: Based on the Greek myth of the moon goddess (Cynthia/Selene) and the shepherd Endymion.
- Hyperion (1818): An unfinished epic poem written in blank verse.
- Hyperion Influence: Strongly influenced by John Milton’s Paradise Lost.
- Reason for Abandoning Hyperion: Keats felt it was "too Miltonic" and lacked his own voice.
- The Fall of Hyperion: A revised, more philosophical version of the epic, written as a dream vision.
The Great Odes of 1819
- "Year of Great Odes": 1819 is considered Keats's "Annus Mirabilis" or most productive year.
- Total Major Odes: He wrote six major odes in 1819.
- List of Odes: Ode to a Nightingale, Ode on a Grecian Urn, Ode on Melancholy, Ode to Psyche, Ode on Indolence, and To Autumn.
- Ode on a Grecian Urn Structure: Consists of five stanzas of ten lines each.
- Ode on a Grecian Urn Famous Quote: "Beauty is truth, truth beauty,—that is all / Ye know on earth, and all ye need to know".
- Ekphrasis: This ode is a prime example of Ekphrasis, the verbal description of a visual work of art.
- "Sylvan Historian": Keats addresses the urn as a "Sylvan historian" who can express a flowery tale better than poetry.
- "Heard melodies are sweet, but those unheard / Are sweeter": A famous line from Grecian Urn emphasizing the power of imagination.
- Ode to a Nightingale Context: Written in the garden of Charles Brown after the death of his brother Tom.
- Ode to a Nightingale Opening: "My heart aches, and a drowsy numbness pains / My sense".
- "Immortal Bird": In Nightingale, Keats calls the bird an "immortal Bird" because its song remains the same through generations.
- To Autumn Significance: Often considered the most perfect and objective of his odes.
- To Autumn Opening: "Season of mists and mellow fruitfulness".
- Ode on Melancholy: Explores the idea that joy and sorrow are inseparable.
- Ode to Psyche: Notable for being the first of the 1819 odes.
- Ode on Indolence: Inspired by a vision of three figures: Love, Ambition, and Poesy.
Narrative Poems and Ballads
- La Belle Dame Sans Merci (1819): A literary ballad depicting a knight enthralled by a mysterious lady.
- La Belle Dame Theme: Reflects Keats's own unrequited or painful love for Fanny Brawne.
- Isabella, or the Pot of Basil: Based on a story from Boccaccio’s Decameron; written in Ottava Rima.
- The Eve of St. Agnes: A lush, romantic narrative written in Spenserian Stanzas.
- The Eve of St. Agnes Characters: Features the lovers Porphyro and Madeline.
- Lamia: A narrative poem about a serpent-woman who transforms into a beautiful lady.
- Lamia Form: Written in Heroic Couplets, influenced by Dryden.
Critical Attacks and "The Cockney School"
- Cockney School of Poetry: A derogatory term coined by John Gibson Lockhart (writing as 'Z').
- Target of the Term: It was aimed at Leigh Hunt, Keats, and William Hazlitt.
- Reason for the Attack: Critics attacked them for their low-class backgrounds and lack of university education.
- Blackwood’s Edinburgh Magazine: One of the primary journals that brutally criticized Keats.
- The Quarterly Review: Another journal (specifically critic John Wilson Croker) that savaged Endymion.
- "Back to the shop": Lockhart famously told Keats to leave poetry and go "back to the shop" (referring to his medical background).
- Shelley's View on the Criticism: Shelley believed these harsh reviews shortened Keats's life, an idea expressed in his poem Adonais.
Relationships and Love
- Fanny Brawne: The love of Keats's life, to whom he was engaged in 1819.
- "Love is my religion": A famous line from a letter Keats wrote to Fanny Brawne.
- Unfulfilled Love: Due to his poverty and failing health, he was never able to marry her.
- Isabella Jones: Another woman with whom Keats had a brief, influential relationship earlier in 1817.
- "Bright Star": This famous sonnet was long associated with Fanny Brawne, though some believe it was originally for Isabella Jones.
Legacy and Epitaph
- Protestant Cemetery: Keats is buried in the Protestant Cemetery in Rome.
- Epitaph: At his request, his gravestone reads: "Here lies one whose name was writ in water".
- Meaning of the Epitaph: It reflects his feeling of failure and his fear that he would not be remembered.
- Adonais: A famous pastoral elegy written by P.B. Shelley to mourn Keats’s death.
- Posthumous Fame: Keats received very little praise during his life but became one of the most beloved poets after his death.
- Oscar Wilde's Tribute: Wilde referred to Keats’s grave as a "holy place".
- Influence on Pre-Raphaelites: His detailed, sensuous style deeply influenced later Victorian painters and poets.
- Byron's Remark: Lord Byron initially mocked Keats but later recognized his talent after his death.
- Sensation vs. Thought: Keats famously exclaimed, "O for a life of Sensations rather than of Thoughts!".
- "The Poetry of Earth": A line from his famous sonnet "On the Grasshopper and Cricket".
- "Much have I travell'd in the realms of gold": The opening line of "On First Looking into Chapman's Homer".
- Chapman’s Homer: This sonnet was written after Keats stayed up all night reading George Chapman’s translation of Homer with Cowden Clarke.
- Regular Odes: Keats’s odes are often classified as "Regular Odes" or Pindaric in their own unique structure.
- "A thing of beauty is a joy for ever": This remains perhaps his most quoted line in English literature.
- The Camelion Poet: He believed a poet should have no "self" but should be a bridge for the reader to experience the subject.

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